Rolfer, Dancer, Teacher

 

At the beginning of December, I had the pleasure of taking another neural mobilization workshop with Jon Martine. This workshop dealt primarily with neural mobilization around the hips, shoulders, and spine as well as some visceral manipulation.

I was once again very surprised and pleased with how effective the work could be with a lot of patience but very little force. Particularly in working with the visceral components it often felt more like listening to the body take on a life of its own rather than making something happen. While I can tell there is still a long way to go with developing my skills around it, it does seem to be a great way to practice listening and following in the way I work.

I had some strong experiences in my own body related to the work as well. In particular, after having work around the collar bones and shoulders, I felt width in my shoulders on a level that I don’t think I have experienced before. It made me strongly aware of how often I hold postures that compress my shoulders or attempt to take up less space with my body than it actually occupies. While I’m fairly aware of having broad shoulders, it was the first time I can recall feeling them truly relax into their full width.

I also got lucky enough to be the demo body for the work on liver, lungs, stomach, and transversus thoracis. Because I have a mild-moderate pectus excavatum, the area of the middle and upper chest has always felt like a particularly problematic area for me to open up. Jon had me test with side bending before and after the work and the difference was pretty amazing. Before, I felt my ribs could side bend pretty readily, but something in the middle was hanging me up; but after freeing up the internal structures, it was like I could bend another 20 degrees further to each side!

I’ve since had an opportunity to play with this style of work with a few clients and I’m really happy with the results. I really like the effect it is having on my ability to listen better in fascial work too.

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